Mark Holdaway

Reinvent your Kalimba, Re-energize your Kalimba Playing Click to go to Tuning Page   If you ever get to the point where you feel your kalimba is old hat, or you cannot think of anything new to do on it, you need to come back to this article. By retuning your kalimba to a new tuning, you basically get a new instrument that presents you with a new world view and plays new music, all for the price of… the five or ten minutes it will take for you to retune your kalimba. You would be amazed – these tunings sound so rich and amazing and different! Just listen to

A Melody Using the Upper Octave of the C Scale A Box Lotus and a Regular Lotus Karimba This series of tips is about scales and how useful they are for the kalimba player. We used the opening melody of the Bach Minuet in G as an example of how scale segments are used in melodies. Now that we have had a look at the upper octave of the C Major scale, I take you back to the Minuet melody.   (By the way, the tablature here is for a 17-Note Kalimba in C, but the concept and even the tablature is the same for many other types of kalimbas.)

The Upper Octave of the C Scale A Box Lotus and a Regular Lotus Karimba This series of tips is about scales and how useful they are for the kalimba player. Do the math. You have a 17-Note kalimba. There are 8 notes in one octave of a scale. For the C Major scale, which starts on the very lowest note on your kalimba, you will be able to get a higher octave version of that scale. And here it is now!   (By the way, the tablature here is for a 17-Note Kalimba in C, but the concept and even the tablature is the same for many other types

The G Scale A Box Lotus and a Regular Lotus Karimba This series of tips is about scales and how useful they are for the kalimba player. The G major scale usually has an F# in it. However, if you play a G scale – 8 tonally consecutive notes – on a 17-Note Kalimba in C, you will have an F natural, or a flatted 7th in the otherwise major scale. In music theory terms, this is the G Mixolydian mode. To me, that flat 7th is the first step toward minorness, and it introduces a funky sort of feel.   (By the way, the tablature here is for a

Edging Up and Down the A minor scale A Box Lotus and a Regular Lotus Karimba This series of tips is about scales and how useful they are for the kalimba player. This is a great sort of exercise to help you gain familiarity with your kalimba. Each measure only has three different notes – for example, in the first measure, it goes A B C B A. It even rests a little extra time on that last note, to give you a chance to prepare for the next part. And what is the next part? This exercise, which I call a “spider,” inches up and back down… and then