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Mark Holdaway

Seek to Infuse Your Musical Moments With Beauty and Magic

If you play music long enough, you will learn that not all musical moments are created equally. Sometimes, the music is magical. It is a blessing to get to experience magical musical moments in any capacity… but it is truly amazing when a magical musical moment just happens to you. It doesn’t matter if you are a high functioning musician or a novice player. If you play long enough in a sitting, you might find that your playing is getting better and better. I love it when I can feel my mind and body learning, improving… sometimes day by day, but also sometimes hour by hour, or even minute by

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Blog
Mark Holdaway

Kalimba Magic – We Give You The Tools You Need to Succeed

Check out the tablature to the left, and the thumb positions on the kalimba. First thing: the kalimba tablature is a map of the kalimba tines. You can see the bottom of one tablature staff just above my index finger – the bottom of the tabs is shaped like the kalimba tines! Also, the painted tines on the kalimba map to the shaded tines on the tab. Second thing: there are two “staves” of “staffs” of tablature, one on the left and one on the right. The left one comes first… and you play the music from the bottom to the top before going to the next staff. Third thing:

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Blog
Mark Holdaway

Kalimba is a Lovely Collaboration Between Black and White

While the name “Kalimba” is one of the African names for one of the traditional African instruments, the modern kalimba owes a lot to a white man: Hugh Tracey. Hugh Tracey became entranced by traditional African music. He traveled tens of thousands of miles around Africa, recording and documenting traditional African music. He also collected African instruments, and became something of an expert of the various instrument designs made by people across Africa. Hugh Tracey utilized the design choices of several different traditional African instruments, but also made his own innovations, such as the western tuning and note layout. So, when you see the modern Chinese-made kalimbas, remember the essential

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Blog
Mark Holdaway

Easy Christmas Carols – “God Rest Ye Merry, Gentlemen” on Alto

You may be surprised – you can play this simple carol and you can read tablature! Click to download free tablature for “God Rest Ye Merry, Gentlemen” I’ve heard this story from more than a hundred people by now: people had been living under the burden of the belief that they were simply unable to make music, but then they discovered the kalimba, and they discovered they could make music on the kalimba, and they were even appreciated for the music they were able to make. If you are reading these words, you probably know you can make music.  But you might be convinced that you cannot read tablature.  This

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Blog
Mark Holdaway

Little Bits of Music – Playing Scales 10

A Melody Using the Upper Octave of the C Scale A Box Lotus and a Regular Lotus Karimba This series of tips is about scales and how useful they are for the kalimba player. We used the opening melody of the Bach Minuet in G as an example of how scale segments are used in melodies. Now that we have had a look at the upper octave of the C Major scale, I take you back to the Minuet melody.   (By the way, the tablature here is for a 17-Note Kalimba in C, but the concept and even the tablature is the same for many other types of kalimbas.)

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Blog
Mark Holdaway

Little Bits of Music – Playing Scales 9

The Upper Octave of the C Scale A Box Lotus and a Regular Lotus Karimba This series of tips is about scales and how useful they are for the kalimba player. Do the math. You have a 17-Note kalimba. There are 8 notes in one octave of a scale. For the C Major scale, which starts on the very lowest note on your kalimba, you will be able to get a higher octave version of that scale. And here it is now!   (By the way, the tablature here is for a 17-Note Kalimba in C, but the concept and even the tablature is the same for many other types

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Blog
Mark Holdaway

Little Bits of Music – Playing Scales 8

The G Scale A Box Lotus and a Regular Lotus Karimba This series of tips is about scales and how useful they are for the kalimba player. The G major scale usually has an F# in it. However, if you play a G scale – 8 tonally consecutive notes – on a 17-Note Kalimba in C, you will have an F natural, or a flatted 7th in the otherwise major scale. In music theory terms, this is the G Mixolydian mode. To me, that flat 7th is the first step toward minorness, and it introduces a funky sort of feel.   (By the way, the tablature here is for a

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Blog
Mark Holdaway

Little Bits of Music – Playing Scales 7

Edging Up and Down the A minor scale A Box Lotus and a Regular Lotus Karimba This series of tips is about scales and how useful they are for the kalimba player. This is a great sort of exercise to help you gain familiarity with your kalimba. Each measure only has three different notes – for example, in the first measure, it goes A B C B A. It even rests a little extra time on that last note, to give you a chance to prepare for the next part. And what is the next part? This exercise, which I call a “spider,” inches up and back down… and then

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Blog
Mark Holdaway

Little Bits of Music – Playing Scales 6

An example of a song that uses the A Minor Scale A Box Lotus and a Regular Lotus Karimba This series of tips is about scales and how useful they are for the kalimba player. Really, this song lives in the A minor scale. It breathes the air and drinks the water of A minor. It knows the curves and twists of A minor, and it follows them. It is founded on the land of A minor. OK – I like to be dramatic. Do you remember the song “Those Were the Days, My Friend”? That is an example of a song that lives and breathes in a minor scale.

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