Mark Holdaway

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Mark Holdaway

Why Get an African-Tuned Karimba?

Its amazing music puts you in the headspace of Ancient Africa One of the most important things I can say about the kalimba (including the karimba and mbira) is that the understanding of how to play these instruments comes to dwell in my thumbs, while the interpretation of the music into phrases or pulses takes place in my ear or my head. The brain’s frontal cortex is where we slowly puzzle out the music when we’re first starting to learn it.  But once we get rolling, it is a different, more primitive part of the brain that is making the music happen – I am guessing it is the cerebellum, which

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Mark Holdaway

Tablature for “Karimba Walk”

You can totally learn how to play this song! Download tablature PDF for “Karimba Walk” One of my good habits is to walk about 2 miles every morning while I play kalimba. This is time by myself, with the sky above me and the earth below me. It is time with a kalimba in my hands and a song in my heart. It is an essential element of my mental, physical, and spiritual wellness. Most mornings, I stick with one song for most or all of the walk. I find the song deepens as my walk proceeds. On good mornings, I get an entire new song. And sometimes, I record

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Mark Holdaway

New Easy-to-use Download for 17-Note Kalimba in C

44 Beginner Songs Replaces Clunky 66-Song Download Click to Purchase the new “44 Beginner Songs” Download At the end of last summer, Amazon sales of inexpensive Chinese-made 17-Note kalimbas tuned to the key of C started to spike. These kalimbas were delivered to people with either a short instructional manual in Chinese, or no instructions at all. Peeved customers who bought from Amazon found me, vented their frustrations, and begged me for an English version of the short Chinese manual. Of course, I saw a great opportunity. I shot from the hip and made a “primitive” Zip file download for the 17-Note in C from an earlier version of “66 Songs” for a

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Mark Holdaway

Two Diametrically Different Kalimba Playing Approaches

Careful, precise, and planned – or Wild, Free, In-the-moment – both are important Orderly and planned…. or wild and free? How about BOTH? When I’m asked how I learned kalimba, I tell this story: while I had known what a kalimba was since the age of two, I only discovered how wonderful kalimba music could be when I was 24 and I witnessed an amazing player close up. I immediately went out and bought a kalimba, and then I wandered alone in the wilderness for 10 years, finding my own way. In that wandering, I found that my path branched in two opposing directions. On one, I tried to learn songs

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Mark Holdaway

Using Alaska Piks on Kalimba

If you don’t have much thumb nail, these inexpensive piks can help Click to go to Alaska Pik product page When I would teach large kalimba classes in the past, one of the supplies I had to bring with me was the Alaska Pik. If you have no thumb nails, plucking the kalimba’s metal tines can be painful. Eventually, novice players will either grow their thumb nails or develop calluses on the playing surface of their thumbs. Until then, or in emergencies, the Alaska pik can be a life saver! Ken Purcell, the inventor of Alaska piks, was vacationing in Alaska when he got the idea for his PVC guitar

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Mark Holdaway

Exotic Sansula Tunings – C Major

Learn how to play guitar chords with any sansula – and get a taste of the rules of chorded improvisation Get yourself a sansula today My friend Andrea Eckardt and I are back with another exotic Sansula tuning, showing the world just how easy it is for a Sansula and a guitar to make great music together. The Sansula is made by Hokema in Germany. The tines of this exotic kalimba make a crystal-clear sound, amplified by the Sansula’s oval-frame drum body. Today we are going take a very close look at how the guitar accompanies the Sansula; I dissect our improvisation “blow by blow,” and share six rules that

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Mark Holdaway

In defense of the Treble, the original Hugh Tracey Kalimba

The subtle brilliance of Hugh Tracey’s Treble Kalimba Tuning The Hugh Tracey Treble Kalimba has some of the most silvery tones When Hugh Tracey started making the Treble kalimba with five painted tines and 17 notes  in 1954, it was the very first commercial kalimba. The Treble has a rich history, though the instrument’s setup is somewhat problematic. On most modern kalimbas, the “key note” or “root note” is the lowest note on the instrument and this has great advantages. The Treble kalimba, however, is in the key of G but is missing that low G and A. It actually starts on B, the 3rd of the scale. It can take

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Mark Holdaway

Learn to Play the 10-Note Kalimba

Learn the 10-Note and prepare for the 17-Note – You can sample one lesson from each of our four 10-Note downloads Do you have your 10-Note Heart Kalimba Yet? I am really taken with the 10-Note kalimba. I think it is one of the best choices you can make for most kids ages 8-14. But I also think there are a lot of adults who get a 17-Note kalimba and then get frustrated with it, because it is more complicated than they are ready for. To try to woo you toward the 10-Note kalimba, I am sharing a lesson from each of my four instructional downloads: “Fun and Games on

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Mark Holdaway

Exotic Sansula Tunings – G Major

This is so different from the Sansula’s melancholy standard A minor tuning That’s me, Mark, on guitar and friend Andrea Eckhardt playing a Sansula Renaissance in G Major Pentatonic tuning “Oh – it’s so small… it only has nine notes – that’s not much.” I must admit, hearing comments like that always leave me a bit disconcerted. Yes, she was a piano player who was accustomed to having scores of notes at her fingertips. I could have explained to her: “This is a magical instrument that just creates its own music, just the way it is. These 9 notes have a special story to tell.” But the words did not

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