Mark Holdaway

Serena Gabriel

Kalimba Performer and Healing Arts Mark gave us a music theory lesson and kalimba history lesson, and a beautifully inspired musical jam. It was incredible! I was in bliss and in awe!

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Tyler Van Arsdale

Kalimba Artist, Yoga Instructor The kalimba has been by my side through thick and thin. It provides solace when I feel alone, peace when I am frought with worry, and joy when I share it with others. Kalimba will always be in my life. Thank you for introducing me to this wonderful instrument.

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Kyle Heide

Ethnomusicologist and Music Instructor I appreciate your direct approach to helping people enjoy this family of instruments as quickly and smoothly as possible, whatever their backgrounds may be.

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Béla Foltin, 2016

Kalimba Lover Your’s is the best and most responsive businesses to your customer base that I have seen on the Internet. Keep it coming! We appreciate it.

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Blog
Mark Holdaway

Infinite Possibility Within Each Line

One single musical idea can be stretched so far… Imagine the left panel represents a song’s basic part. When you are tired with repeating that, go to a variation, which has the same essential shape as the basic part, with some extra frills, like what you see in the center panel. When you are comfortable doing these, consider building on them still more, as in the right panel. There are essentially infinite variations possible. When I play kalimba by myself, I usually go pretty deep. It’s like meditation, only more playful. After playing for 20 or 30 minutes, I am usually in a very peaceful state. I seem to look

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Blog
Mark Holdaway

The Thomas Bothe “2B” Kalimbas Return

Get your 2B kalimba while they last Left to right: 2B/14L, 2B/14, 2B/9B, and a pair of 2B/9 kalimbas “I received my 2B/9 Kalimba several days ago and it is truly a magical little instrument… I LOVE it!  I love the A/C tuning too…great choice.  I am drawn to picking it up frequently and picking out random tunes.  I don’t really now what I’m doing, but it always sounds great!”     –  Marcy, 2016  “The 2B kalimba arrived today.  What a dear instrument!  I just adore it”      –  Vickie, 2016   In the world today, I am guessing there are hundreds or even thousands of people who are making

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Blog
Mark Holdaway

Getting a Second Kalimba

Leslee Morrison’s Second Kalimba Has Opened a New World of Possibilities Leslee’s pentatonic kalimbas Acquiring a second kalimba in a different tuning is almost like stepping into the exciting realm of kalimba for the first time – everything seems so fresh and new.   However, unlike the first time, I come to the second kalimba with an established set of rhythms and thumb patterns I learned on the first kalimba.  These patterns do transfer to the second kalimba, and it feels like I am flying.   I got my first kalimba – a Hugh Tracey Box Pentatonic kalimba – from Mark at Kalimba Magic a few years ago. I had

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Blog
Mark Holdaway

The Electric Kalimba

It was good enough for Jimi Not many know that Jimi Hendrix was an excellent kalimba player Did Jimi Hendrix really play kalimba?  Well, no, Jimi Hendrix didn’t do anything with the kalimba as far as I know.  I’m sure one was put into his hands though, as the kalimba was exploding in popularity at the same time Jimi Hendrix was. This art work is derived from the famous photograph of Jimi kneeling in front of his guitar as he is poised to light it on fire for the first time in public.  In that photo, Jimi is looking down at his hands, and his hands look like he is

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Blog
Mark Holdaway

Kalimbas for Accessibility

Scales and Chords for One-Sided 8-Note Kalimbas Left: ergonomic setup for individual with the use of their left hand. Right: ergonomic setup for right handed person. I have known several people who only have the use of one hand, and two of them play kalimba. Kalimba Magic offers a special one-sided kalimba, either in a left handed or a right handed setup. It seems you would need both the left and right hands to simulate the full kalimba experience. The theory is that the kalimba evolved from huge log xylophones, made from actual logs, which were played by at least two people, one on each side, playing interweaving parts. The

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