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It was back in 2002 when I shocked everyone in the Tucson music scene by showing the true extent of the magic that is possible when you play the kalimba with great skill and great emotion. (Here is a more recent version of the Christmas Kalimba Medley, played on a Kalimba Magic 17-Note Bamboo kalimba.) Back in 2002, I performed 12 favorite Christmas Carols in 12 minutes. The waves of beauty and joy kept coming, overwhelming everyone’s expectations of what the kalimba could do. The music kept climbing in intensity, accelerating in tempo, until the final victory lap of “The Christmas Song” rang true with its unsung words: “Although it’s

The years was 2002, before I started Kalimba Magic. I performed a 12 minute medley of 12 different Christmas Carols, on my Hugh Tracey Alto Kalimba, to an audience of about 200 people at the TKMA Holday Party in Tucson Arizona. All I will say is that every one of the audience members will have remembered the magic of that music for the rest of their lives, barring severe memory loss. That extended moment is where Kalimba Magic really started, though the Kalimba Magic BUSINESS would not come to life until 2005. Over the years, I have notated my full advanced arrangements for a wide variety of kalimbas – 15-Note

The Alto Kalimba is different from the standard 17-Note Kalimbas that currently dominate the internet Here is how they are different, and why you might want one: The Alto Kalimba only has 15 tines, instead of 17 BUT the Alto tines are wider than the 17-Note tines (5mm compared to 4mm). …which means the Alto Kalimba is physically larger than the 17-Note If you have large hands, you are going to find the Alto to be a better fit And, the larger tines? I find are easier to play. The larger box size makes for lower notes, and a different kalimba sound (in G rather than in C). And the

People who bought the Chromatic Kalimba Download have been waiting for months for all the sound recordings to appear. They are there now, and the links in your PDF will magically work now! The Chromatic Kalimba is a bit of a bear. You see, the front side notes are the same as the Alto Kalimba notes, and the back side are the chromatic notes that are usually skipped on most kalimbas.  It is hard to use those back side notes, because you cannot see them. BUT – the front side is just exactly like the Alto kalimba – you can totally avoid the confusion of the back side notes just