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Mark Holdaway

Brand New to Kalimba? Step 2

Find the books and downloads that will work for your kalimba I’m Mark Holdaway. I’ve been playing kalimba since 1986, and I put all my experience into my kalimba books. Hi, Mark from Kalimba Magic again. Each different type of kalimba, with different notes, is capable of different songs. Hence, each different type of kalimba needs its own book. As there are dozens of fundamentally different types of kalimbas out there, there are many many kalimba books… in my universe, anyway! I have written 50 kalimba instructional downloads and 25 kalimba books. And so, when you go looking at my kalimba books or ebooks, figuring out which one/s would work

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Mark Holdaway

Octaves on the 17-Note Kalimba

On most kalimbas, including the 17-Note Kalimba in C, octave pair notes will be on opposite hands Here is a great tip to help you play the 17-note kalimba. Actually, most “regular” kalimbas follow this rule, so read on even if you have an 8-Note, an Alto, a Treble, or a Pentatonic kalimba. “Regular” kalimbas have low notes in the center, and as you go farther from the center, notes get higher. Consecutive notes alternate from right to left, going outward as you go up the scale. Consider the scale “Do Re Mi Fa So La Ti Do” = “1 2 3 4 5 6 7 8.” If the low

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Mark Holdaway

What Should I Do About Rusty Tines?

If you live in a humid climate, your kalimba tines could rust over the years I have seen some pretty old kalimbas with totally rusted tines. Kalimbas that have lived on a sailboat for 5 years. Kalimbas that have lived in Hawaii for 20 years. Kalimbas that have lived in Miama for 10 years. These high humidity environs can certainly induce kalimba tine rust. But I think most of these kalimbas could have been handled differently so they didn’t get so bad so fast. Keep reading if you would like to know some simple things you can do to prevent or remove rust from your kalimba tines.   What if

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Mark Holdaway

Cornelius Duncan Plays Hugh Tracey Kalimba on The #1 Jazz CD

After playing for 40+ years, Cornelius Duncan has jumped to the top! Cornelius Duncan has been playing his Hugh Tracey Alto kalimba in this “Duncan tuning” for most of his life. But he did not invent this tuning – rather, it came from his brother, Phillip Allen Duncan. A stunning YouTube video of Cornelius Duncan playing his special-tuned Hugh Tracey Alto kalimba has had just 2000 views over its 7-year life. Cornelius’ music honors legendary 1960s jazz saxophonist John Coltrane by playing a song that reflects Coltraine’s song, “A Love Supreme.” The song, called “A Kalimba Supreme” is serious and meditative, showing the master kalimba player offering his strands of

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Mark Holdaway

Brand New to Kalimba?

Mark can point you to many helpful resources A Box Lotus and a Regular Lotus Karimba  Thank you for connecting with Kalimba Magic.   I am Mark Holdaway, founder and director of Kalimba Magic. I am dedicated to teaching the world to play this wonderful little instrument. You will find all sorts of useful posts coming through the Kalimba Magic blogs and Facebook page, including playing and performance tips, interviews with players, information about new kalimbas or kalimba books, inspirational tidbits, and free instructional material and tablature.   What else do you need to know right now? Let me guess.   Here are some particularly useful pages for the beginning

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Mark Holdaway

Instructional Resources for the B11 Kalimba

Tunings, Books, eBooks, and Kalimbas   The simple 9-Note Sansula, or Hokema B9, has been a spectacular, emotive instrument that people have loved for almost 20 years. Now it’s time to move up to the B11. While the Sansula is charming and beautiful, there are precious few songs you can play on it. The B11 has another name – the “Melody”. That is because it lends itself to making melodies with simple accompaniment, In other words, if you seem to be at a dead end with the Sansula, you might want to check out the B11, because there is so much more music you can do with it! Exploring the

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Mark Holdaway

Selecting Songs for a Kalimba Performance

From my experiences in the past One kalimba associate asks: “How do I choose the songs to play at my kalimba performance?” Well, you want songs that connect with meaning and significance to you… and also to your audience. Even though your kalimba is probably not a traditional African instrument, I ask you to consider it nonetheless as a sacred instrument, capable of touching people, moving people, healing people, and helping people be their best. Of course, that means both the musician and the audience. Seemingly a tall order, but the magical kalimba is suited for it. And the songs you choose can play into this narrative.   You can

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Mark Holdaway

Performing on Kalimba: yet more advice

Earlier posts help you prepare. This post deals with the day of performance. When you are playing a kalimba performance, the most important thing is to have a good time. If you are happy and having fun, it will show. The audience will see you, really see you, and this gives a huge opening for the music. So, the big advice is that the day of your kalimba performance should mostly lead up to you being relaxed and having fun. I like to run through all of the songs I will be performing. Sometimes, like if I am performing on a shipping day, I will have to work and won’t

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Mark Holdaway

Playing Guitar with the Sansula

Exploring Chords for Accompanying the Sansula in Standard Tuning Get yourself a sansula today A main part of the philosophy of western musical instruments is to provide as many sonic possibilities as possible – hence the piano keyboard, with seven octaves of fully chromatic notes. A main part of the philosophy of the kalimba is that it has exactly the notes it needs to create a particular scale or a particular song. Every note on a kalimba is important and useful. A particular kalimba’s scale, or tuning, will span a particular “music space” which contains the musical possibilities of that scale. And there are “way many” music spaces and there

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