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Pentatonic tunings are culturally and musically important. We present new kalimba video of three different tunings for the pentatonic kalimba The coupon code PENTA30 gets you 30% off the box pentatonic Aboriginal peoples all across the globe have used pentatonic scales in their music.  One of Hugh Tracey’s fundamental findings was that about 40% of all the kalimbas he documented in his expeditions across Africa were tuned to pentatonic scales. Find out what makes the pentatonic scales so essential! A pentatonic scale is any scale that has five unique notes per octave. (Most other scales have seven unique notes per octave.) On average, the notes in the pentatonic scale are

This 2008 interview of Andrew Tracey, accomplished kalimba scholar and master of karimba, mbira and kalimba, illuminates the genealogy of African lamellaphones and the history of the Hugh Tracey kalimba These are the 2B kalimbas that will arrive early in January During my 2008 visit to his Grahamstown, South Africa home, Andrew Tracey (Hugh Tracey’s older son), long-practicing ethnomusicologist and musical performer, shared recollections of his father’s work, the early Hugh Tracey kalimbas, the layout of the Hugh Tracey kalimba, and his ethnomusicological research showing the karimba to have the prototypical tuning that was passed down to subsequent instruments such as the mbira dzavadzimu. We are featuring this article once

This archival 2010 interview sheds some light on a remarkable kalimba maker These are the 2B kalimbas that will arrive early in January The “2B Kalimbas” made by Thomas Bothe are very high quality instruments, and, clearly, labors of love. The care and attention to every detail that is evident in the workmanship of these instruments made me very curious about their creator. I was quite pleased that Thomas was able to spend a little time telling me about himself and his work.     KM: Thomas, how long have you been working with wood, and how long have you been making kalimbas? TB: I started making kalimbas in 1993,

Free PDF and KTabS Tablature for Alto, Treble, B flat Treble, and Chromatic Kalimbas “Carol of the Bells” is not only a beautiful song that is great to learn on the kalimba, it is also a strategic stronghold of kalimba technique. The basic music consists of two different parts played at the same time, which in this case is not that hard. If you can learn this song, you will be entering the marvelous world of playing two voices of music at the same time on kalimba. Not up for heavy lifting? Please enjoy the video of me performing “Carol of the Bells” on the Alto Kalimba. “Carol of the

Sansulas come in many different tunings, which can be somewhat confusing – but here is a way I found to understand the basic shape of all of those tunings This “pitch helix” illustrates how I think of most of the sansulas I have.   The Hokema Sansula come in the standard A minor tuning or in any of the alternative tunings. We present a few purely geometrical ways of thinking about the Sansula tunings. We also introduce a new alternative Sansula tuning based on my favorite Thomas Bothe tuning. One of the features of the Sansula is that whatever you play on it, it sounds beautiful. On the other hand,