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Mark Holdaway

Hava Nagila, Middle Eastern Tuning, and the Freygish Karimba

A number of people have recently asked me for tablature for Hava Nagila. Like everything I do… it is complicated. For starters, here is a video of a pretty hot performance on a Middle Eastern-tuned Hugh Tracey Treble Kalimba. This will surely be set up differently than your kalimba, so enjoy listening, but you probably won’t be playing along with this one: Hava Nagila on a Hugh Tracey Treble Kalimba in Middle Eastern Tuning. I have buzzers on this kalimba, and it is being played in a gourd deze, which amplifies and buzzifies the sound. That black thing is a guitar strap that goes over my neck to support the

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Blog
Mark Holdaway

Free Classical Tablature for Treble Kalimba, Thanks to David Pomatti

David Pomatti of Japan has sent a PDF of free tablature for the 17-Note Hugh Tracey Treble Kalimba. With David’s consent, I am making this music available to you for free. It is hand written kalimba tablature and hand written staff notation, and also includes the original piano sheet music in the original key. This gives you a clear idea of what is included in this free PDF:           Treble Kalimba Tuning If you didn’t get the memo, the Hugh Tracey Treble Kalimba is painted with a 5-painted tine system, but is in the key of G, with a low note of B, the 3rd of

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Blog
Mark Holdaway

If your 17-Note Kalimba is Too Much, Try This!

While a lot of people buy the 17-Note kalimbas, I know for a fact that a lot of these sit unplayed. While 17 notes seems small compared to a piano, 17 notes in your hands can be more than you bargained for. Learn on the Central, Lower 10 Notes I have just finished a great introductory book for the 10-Note Kalimba in C, and as you can see from the diagram above, the 10-Note kalimba “fits within” the 17-Note kalimba. The notes and the painting marks are the same, until you get to the outer seven notes. And here is the clever thing: you don’t have to get the 10-Note

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Blog
Mark Holdaway

New eBook: Intro to 10-Note Kalimba in C

This is a 32-page PDF ebook with live links to the sound files, instruction on special techniques. Very colorful! Also, with links to other resources for this 10-Note Kalimba. Instead of writing about what this ebook is about, I thought I would just show you some of the pages from the book. First, this is the tuning and kalimba setup that this ebook works for: Here is one of the more advanced songs in this book – which is also the song in the video I made to promote this book: And here is that same song, on video: A New 10-Note Kalimba in C How to Play 10-Note Kalimbas

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Blog
Mark Holdaway

“I Can See Clearly” or “How to Make Flats and Sharps on the Kalimba”

In order to play songs with accidentals or modulations on the diatonic Kalimba, you need extra notes. Here, I pick them up off of three different Kalimbas in different Tunings. “I Can See Clearly” by Johnny Nash. Yes, yes, I could have played this on a Hugh Tracey Chromatic Kalimba. But instead, I take the easy way out, using three diatonic kalimbas instead. Diatonic Scale, Diatonic Kalimba If you don’t know the word “diatonic”, learn it! It describes a kalimba that has only notes from some major scale: “Do Re Mi Fa So La Ti Do…” It could have 8 notes, 10, or 17 notes… but the notes are all

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Blog
Mark Holdaway

Hugh Tracey Kalimbas for Any Key – Oh, and Paint Colors

In another post I made today, I play “I Can See Clearly” on three different diatonic kalimbas. Why? The song is chromatic, requiring notes that aren’t on the first kalimba. Now, many kalimba players won’t need to venture beyond the key of C. But if you play kalimba long enough, you will not only come up against the limitations of that one key… you will also be looking for a way to transcend those limitations. One way is to have kalimbas in different keys. Covering all 12 keys on self-similar kalimbas. Alto Kalimba: F, F#, G, G#. Bb Treble: A, Bb, B, C. D Treble: Db, D, Eb, E. The

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Blog
Mark Holdaway

“A Middle Eastern” Tuning for the Moon-10 Kalimba

Several customers have been asking me for a Middle Eastern tuning for the Moon-10 Kalimba. The result is the “Morocco A” tuning, “A Middle Eastern” tuning, or the “Desert Moon”. And I must admit, the result is magical. Watch the video to check for yourself! “A Middle Eastern” or “A Morocco” Tuning for the Moon-10 The Scale This is a 6-note Middle Eastern scale (A=1, Bb=2-, C#=3, D=4, E=5, G=7-). (If you are not up on the notation: 1, 2, 3 are the “degrees of the major scale”. “3” is the major 3rd. “2-” is a flat 2nd, just a half step above the root note or “1”. “7-” is

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Blog
Mark Holdaway

What Notes Are on the “17-Note Kalimba in C”

One of my customers asks: “Inside the Treble Kalimba booklet, there’s a picture of the kalimba tines and the notes written out on a musical staff. Is there such a picture available for the 17 note kalimba in C?” The staff doesn’t indicate what clef this is, but it is obviously Treble Clef. How would you know? Well, the low note, C on the kalimba, shows up as “Middle C” on the staff notation, indicating this is indeed Treble Clef! I suppose I will need to insert this into my next edition of the 17-Note C books. But perhaps a more important question is: “Why don’t I write books in

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Blog
Mark Holdaway

How to Fix a Buzzy Tine

Most people who have played kalimba for a month or more have come to know the buzzing that can occur on a few notes on the kalimba. You aren’t familiar with the buzz? Check out Taj Mahal playing on the Flip Wilson Show in 1973, which introduced many to the kalimba. These particular buzzes aren’t too bad as buzzes go. Listen for two cranky notes among the upper notes on both the left and right sides. When Taj plays the samba beat at about 1:00 in the video, listen for the buzz of the low G and A notes. These definitely detract from his otherwise stellar performance. (O, I could

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