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Last newsletter, we had a contest to see who could figure out the song that was in the new tablature “logo” image. OK – here is the video: And here is the tablature for the song: On the green kalimba in the video, I have tuned my high C to C#. Why? Because the song goes that way. I could have played this on a chromatic kalimba, but I really liked having Thing hand me the second kalimba. Congratulations to the first three people who told me what the song was: 1: Mary Bragg 2: Lisa Cuthbert 3: Holly Soptick Thank you for playing! But where are the guys? About

A number of people have recently asked me for tablature for Hava Nagila. Like everything I do… it is complicated. For starters, here is a video of a pretty hot performance on a Middle Eastern-tuned Hugh Tracey Treble Kalimba. This will surely be set up differently than your kalimba, so enjoy listening, but you probably won’t be playing along with this one: Hava Nagila on a Hugh Tracey Treble Kalimba in Middle Eastern Tuning. I have buzzers on this kalimba, and it is being played in a gourd deze, which amplifies and buzzifies the sound. That black thing is a guitar strap that goes over my neck to support the

David Pomatti of Japan has sent a PDF of free tablature for the 17-Note Hugh Tracey Treble Kalimba. With David’s consent, I am making this music available to you for free. It is hand written kalimba tablature and hand written staff notation, and also includes the original piano sheet music in the original key. This gives you a clear idea of what is included in this free PDF:           Treble Kalimba Tuning If you didn’t get the memo, the Hugh Tracey Treble Kalimba is painted with a 5-painted tine system, but is in the key of G, with a low note of B, the 3rd of

While a lot of people buy the 17-Note kalimbas, I know for a fact that a lot of these sit unplayed. While 17 notes seems small compared to a piano, 17 notes in your hands can be more than you bargained for. Learn on the Central, Lower 10 Notes I have just finished a great introductory book for the 10-Note Kalimba in C, and as you can see from the diagram above, the 10-Note kalimba “fits within” the 17-Note kalimba. The notes and the painting marks are the same, until you get to the outer seven notes. And here is the clever thing: you don’t have to get the 10-Note

This is a 32-page PDF ebook with live links to the sound files, instruction on special techniques. Very colorful! Also, with links to other resources for this 10-Note Kalimba. Instead of writing about what this ebook is about, I thought I would just show you some of the pages from the book. First, this is the tuning and kalimba setup that this ebook works for: Here is one of the more advanced songs in this book – which is also the song in the video I made to promote this book: And here is that same song, on video: A New 10-Note Kalimba in C How to Play 10-Note Kalimbas

In order to play songs with accidentals or modulations on the diatonic Kalimba, you need extra notes. Here, I pick them up off of three different Kalimbas in different Tunings. “I Can See Clearly” by Johnny Nash. Yes, yes, I could have played this on a Hugh Tracey Chromatic Kalimba. But instead, I take the easy way out, using three diatonic kalimbas instead. Diatonic Scale, Diatonic Kalimba If you don’t know the word “diatonic”, learn it! It describes a kalimba that has only notes from some major scale: “Do Re Mi Fa So La Ti Do…” It could have 8 notes, 10, or 17 notes… but the notes are all

In another post I made today, I play “I Can See Clearly” on three different diatonic kalimbas. Why? The song is chromatic, requiring notes that aren’t on the first kalimba. Now, many kalimba players won’t need to venture beyond the key of C. But if you play kalimba long enough, you will not only come up against the limitations of that one key… you will also be looking for a way to transcend those limitations. One way is to have kalimbas in different keys. Covering all 12 keys on self-similar kalimbas. Alto Kalimba: F, F#, G, G#. Bb Treble: A, Bb, B, C. D Treble: Db, D, Eb, E. The

Several customers have been asking me for a Middle Eastern tuning for the Moon-10 Kalimba. The result is the “Morocco A” tuning, “A Middle Eastern” tuning, or the “Desert Moon”. And I must admit, the result is magical. Watch the video to check for yourself! “A Middle Eastern” or “A Morocco” Tuning for the Moon-10 The Scale This is a 6-note Middle Eastern scale (A=1, Bb=2-, C#=3, D=4, E=5, G=7-). (If you are not up on the notation: 1, 2, 3 are the “degrees of the major scale”. “3” is the major 3rd. “2-” is a flat 2nd, just a half step above the root note or “1”. “7-” is

One of my customers asks: “Inside the Treble Kalimba booklet, there’s a picture of the kalimba tines and the notes written out on a musical staff. Is there such a picture available for the 17 note kalimba in C?” The staff doesn’t indicate what clef this is, but it is obviously Treble Clef. How would you know? Well, the low note, C on the kalimba, shows up as “Middle C” on the staff notation, indicating this is indeed Treble Clef! I suppose I will need to insert this into my next edition of the 17-Note C books. But perhaps a more important question is: “Why don’t I write books in